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Naomi the African |
Titi the Parisian |
Mu Nan the Chinese |
Jim the New Yorker |
Ali the Tunisian |
« Children
of the world » is one of the major work of Rachid Khimoune. These monumentals
bronze representing children from all the continents are adorned with ground.
From the terrace, they dominate the garden of Bercy in Paris. They are 21
oriented toward the meadow. 21 scultures as the 21th century, as the number
of steps
needed to their creation.
Since 2001, the permanent outdoor exhibit of these “children of the world” has
been welcomed by the critics and has been a real popular success. This proves
that faithfulness to the roots and cultural exchange are still core values.
Two copies of each sculpture have been made. One has joined the rest of the
20 statues, on the Simone de Beauvoir Bridge, close to the Minister of Finance
in Paris. And thanks to the generosity of some prestigious sponsors, the
other copy has come back to its country of origin.
“ I take the street and then I give it back”
Rachid Khimoune had the inspiration for the “Children of the world” while
watching my daughter and her friends doing a farandole in the school yard.
We’re back in the 80’s and the artist travels to several capital
cities to take “the skin of the streets”. As he explains himself
in the book dedicated to him, “every asphalt is similar although manhole
covers and tree protectors are all different from one city to another, as a
tattoo on the skin. These signs reveal the very identity of the city… He
also says “I would have molded the words; Water – Gas - Electricity – Sanitation
in all the languages”
Once there and after the numerous administrative problems, which would become
later anecdotes and stories of the journey, he makes an elastomer moulage
of the elements he had chosen previously. In the street, the process is always
surprising for the passersby and the artist like to theatralise this part
of
the process.
With a really good master of the materials, the artistic process is rich
and very singular. Looking for the original roots of the peoples, Rachid
has travelled
the cities around the world, making moulage of manhole covers, pavements,
breached asphalt, what he calls “his extraterrestres” - because
extracted from the soil- and then dress up the characters like a tailor.
On the terrace of the garden of Bercy, Rachid Khimoune likes to meet the
children visiting his work and willing to know him. The artist look them
climb on the
sculptures and hide in the hollow back side. Together they read and interpret
the inscriptions that are on the statues. The “Children of the world” get
all their meaning, through the eyes of the kids.
The extra copies, made thanks to the generosity of the sponsors, scattered
around the world, create a twin partnership between Paris and the other capital
cities.